Mixing.

We finished mixing the tracks in May.
We obviously mixed in the box.
ProTools, a whole array of Waves plugs-ins, and the legendary Yamaha NS10s.
An Apogee Quartet providing us with pristine and uncompromising clarity.

As we recorded the trio live in one room, the main challenge was separation.
On this simple video you can see how we used those removable panels to isolate vocal and guitar from the drums and upright bass.

This video is a rouhg mix of an alt take of original “Noir et Blanc”.
This session happened in one of those little hidden and alternative recording studio in Berlin Kreuzberg.

 

That Was Then.

We recorded in a typical out-of-the-mainstream alternative small studio in Kreuzberg.
Brian Trahan jumped in as the engineer and some great creative inputs.

Nir Sabag on drums and Gianfranco Coppola on upright worked the magic,
and set the musicianship to ever higher standards.
And I doubted every note I played.
Thought I lost my keys.

This was an amazing session.
The resulting tracks are beautiful, fresh.
And have that please-no-too-polished feel I was hoping for, to avoid bearing any resemblance to the pop we are used to hearing on the airwaves (not that we don’t like it).

We recently mixed the five titles. The whole should be released in September 2017 on my own indie label.

Thank you Nir, Gianfranco, Brian
and all.

Let Them Babies Sing.

Early Childhood Music Education.

I welcome a really interesting experience: mingling with babies and kids to stimulate their interest in MUSIC. On wednesdays, at the Malfisch, in Neukölln, Berlin.

Which brings in the very interesting topic of Early Childhood Music Education.

Amazing, those babies. They remind me of some of the artists I work with. Or rather, those artists seem to have taken some of these Baby qualities to a professional level.

Inspiring. Refreshing.

!נעה

There is so much happening these days, it is going to be difficult to keep up.

We had a wonderful Begenungssession with Noa Fort on the 6th of January 2017, in Berlin.

Noa graced us with her new song a couple weeks ago. She blessed that white piano with her playing, and flew away across the ocean back to Brooklyn.
Nir Sabag was here with us and played snare with brushes.

BROOKLYN MEETS BERLIN II

G@d, we just love those gears.

So we opted for the Trixx Studios. A familiar workspace. I was here before with Michal Limboski. And Eric, a  few years ago.

Eric will be recording his own material with a great rhythm section this sunday.

First rehearsal tomorrow. With Hugo Reyet on bass, and Nir Sabag (drums).

Wir sind gespannt.

G#d… These preamps just make my day.

A pleasant atmosphere.

BROOKLYN MEETS BERLIN I

I use to walk the streets of Brooklyn, and feel that it must bear a kind of odd resemblance to some old Berlin I had never seen,  and did not yet know.

Now that I know Berlin – the new, obviously – I can confirm. There is a strange kinship between good ol’ Brooklyn, and Berlin.

The thing is, Berlin is new.
So incredibly, fascinatingly New. And nowadays when I walk around the streets of Berlin, I miss those pretty old cobblestone, the history and the incredible cultural density and variety of good ol’ Brooklyn!